Brian Frasier-Moore Theme Of This Episode Some lessons are learned quickly. Others take a lifetime to learn. Brian shares some lessons that it’s taken him 26 years of professional drumming to learn. What You’ll Learn From This Episode The “Two-Bar Repeat” How to know what an MD wants from you Why people hire “Brian”, not
Ben Bradley Theme Of This Episode The only thing that being a three-time CCMA Drummer of the year means is that you’re willing to work hard, you’ve been blessed with great mentors, and learned some important lessons along the way. Ben just finished the most extensive tour in Canadian history with Brett Kissel, and shares
Jeremy Kleynhans Theme Of This Episode Jeremy plays with many artists. He may leave for a month long tour and have to sub out on some shows, but many artists choose to put him back in once he’s back. Artist’s can’t seem to replace him, so we talk about why this might be. Bio In
Alex Torjussen Theme Of This Episode Alex has been touring from a young age, and has been the ‘new guy” enough times to know how to react and grow quickly to fill the shoes. What You’ll Learn From This Episode What to look for in a mentor Why to take the “non-click” gigs too How
G. Maxwell Zemanovic Theme Of This Episode Max’s purposefully made sure that the first time he played Miranda Lambert’s songs were at his audition to play with her. Max intentionally steers clear from promoting many of his career highlights on the internet. At first glance, some of Max’s advice might seem to come out of
G. Maxwell Zemanovic Theme Of This Episode Max purposefully made sure that the first time he played Miranda Lambert’s songs were at his audition to play with her. Max intentionally steers clear from promoting many of his career highlights on the internet. At first glance, some of Max’s advice might seem to come out of
Paul Francis Theme Of This Episode Paul spent his first day at Zildjian sweeping floors. Over 30 years later, he’s the one designing the cymbals many of us use and love. If you’ve ever wondered how they make your favourite cymbal sound dark, gritty, earthy, sandy, washy(or whatever other adjectives you use to describe your cymbals),
Rhett Noland Theme Of This Episode As NF’s drummer, Rhett’s watched their career 10X over the last couple of years. It’s the type of growth we all want to see and be a part of, but in addition to the upsides of being in that situation, it comes with some growing pains that can’t be
Robbie Crowell Theme Of This Episode After getting a degree in Jazz Saxophone, Robbie’s spent years hopping between drums, bass, and keys for Matt Mays, Deertick, Midland, and many more. As someone who’s spent a lot of time on stage playing along with other drummers, he has a unique perspective on how to approach the
Sahir Hanif Theme Of This Episode Sahir owns a drum company, Masters of Maple Drums, and a touring/production company Ghost Tech Touring. If he’s not sourcing trees, or building drums, he’s drum tech-ing in studio, or staffing tours with tech personnel. He shares some of his experiences in running multiple companies in the music biz.
Riley Breckenridge Bio Riley’s a founding member, drummer, and songwriter for Thrice. He also plays in a band called Less Art, loves baseball, BBQing, and dad life. Theme Of This Episode Drumming in the same band for the last twenty years is a unique situation that most of us drummers haven’t found ourselves in. Many
Kenny Sharretts Bio Kenny’s an A-level drum technician, keyboard tech, and stage manager based in Austin, TX, working alongside artists like Elvis Costello, Janet Jackson, Train, Stevie Wonder, Rihanna, teching for drummers such as Kenny Aronoff, Aaron Spears, Stanley Randolph, etc… Theme Of This Episode Kenny’s tech’d for many of the world’s top drummers, and
Brook Alexander Theme Of This Episode Before touring with Julia Michaels, brooks spent time not he road with many other great artists like Adam Lambert, Demi Lovato, Skyler Grey, and many more. Understanding your role on each gig, and how it can change from artist to artist is extremely important. Brook tells us how he
Dylan Wissing Theme Of This Episode Dylan specializes in drumming in recording real drums for hip-hop, pop, and anything that needs really specific sounds. He walks us through why it took over 2 days to find the perfect sounds for a 6 note loop for Girl On Fire, by Alicia Keys. Bio Dylan Wissing exploded
Jeremy Kleynhans Theme Of This Episode In any given week, Jeremy could have shows with 5 different artists. We talk about his preparation approach, and how he manages each situation with care, and how to keep getting hired by prioritizing the artists’ needs. Bio In the past couple of years, Jeremy has been playing shows and
Andrew Hemmerling Theme Of This Episode Andrew grew up on a tour bus, travelling with his family band. He started cutting his teeth at 11 when he replaced the drummer. Since, he’s moved to Nashville from northern Canada to tour full time with High Valley, and explains how to legally move to the US as
Zack Alford Theme Of This Episode Zack’s shares some of his most memorable moments with Springsteen, Bowie, Gwen Stefani and how he’s used drumming to really explore other cultures. Bio Zack’s either out on tour with American superstars (Bruce Springsteen, David Bowie, B-52’s, Gwen Stefani), or he’s overseas touring with Japanese, German, or Spanish superstars.
Stan Bicknell Theme Of This Episode Stan has different goals than most drummers, he doesn’t want to tour, he doesn’t want to depend on drumming to pay his bills. He wants drumming to be his creative outlet and not a burden. He explains why he’s opted out of the touring world and uses drumming to
Adam Marcello Theme Of This Episode After spending a decade on tour with Katy Perry as music director and drummer, Adam’s joined the house band for American Idol. He gives us a closer look at how these two gigs challenge in different ways as a drummer. Bio Rhode Island native Adam Marcello is well known
Jimmy Bralower Theme Of This Episode Jimmy is the OG of drum programming and had a front seat to the transition that took place as drum programming began to take over modern record productions. He shares what it was like, why it happened, and where it’s at now. Bio Jimmy’s work can be heard on
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